Honbio 6ypa nOAHBaacb, riapoxöA KaMaet» MaAbHHK eaeT b iiepBNÜ pas, HiMero He 3Hae*r. — Ml'O CO MHOft? Hora BIICpX. HO FH BHH3. CtOH, CTOH, He BepTHCb. OcTaHOBHCb. Hocom — 6p«K, aaTbUKOM—ctvk. Mto CO MHOÜ CAyHHAOCb BApyr? TyT oahoH BoAbUlOft BO.IHOH [IoAbiMacT napoxoA, MeMoaaH Hepes AHBaH IlajaeT, CKOAbBHT, nO.\3(’T, A noTOM oh c Iiapoxoaa Mepe3 6opT n npaMO - b BOAy, Hy panaK'ic, peßaramKH, He uiyMerb h ne KpHHaTb — ByaeM BMecre b btoh KHHHSKe Äpy*Ho 4»hmmh BbipyaaTb. »DIE P.IONIERE« / “THE PIONEEBS" J. JOHN Xporo TOBapy ne upeAioaiHT Byerapt: Ioumah xopourae 11 e Mop*H h c xBoera, CypiiKOM Kpamean, xboct—Mewuia. —iraeae, lipapeHHCb CBM&ia. C,ie.mno na jfyjmeM croaBpHOM Kaee — BuBHpaä, >rro mbji’«! Cptuanu-iiopejaHo m* aearai o W 6a— Bw6npat, «to «oSo! OrMHBya irapop ot bphhhtohx .laooK: H BlipBMb —ijt8 upHHHBII? To.ILKU CJiaBa! CoccA-uanopaiimtiK npoTapaer creoa: Oahb coSaioHBa BepraTca oeoao. »DER KUNSTLADE Ni / “Fi D. TS CH ET W •iaTo Hn npoae3Tb, hh npoÖTw y jiapa ApriMMinni »ac-repa b KyCTapa. E-A RT REPOSITORT" RIKOFF 68